Publications
2021
Contemporary HUM
“Charting the Constellations of the Oceans, Rivers, and Islands”
2020
O LE ŪA NA FUA MAI MANU‘A
Embodied Practices and Acts of Exchange
University Of New South Wales Gallery Press.
2019
Estudios Indiana 13
“Disrupting Toronto’s Urban Space through the Creative (In)terventions of Robert Houle.”
Edited.by Sanja Savkić and Hannah Baader. Berlin: Ibero-Amerikanisches Institut.
2016
PUBLIC Art, Culture, Ideas 54
“Deciphering the Digital and Binary Codes of Sovereignty/Self-
Determination and Recognition/ Emancipation.”
Indigenous Art: New Media and the Digital.
2015
Land/Slide: Possible Futures (exhibition catalogue)
“The Occupation of Space: Creatively Transforming Indigenous Living Histories in Urban Spaces.”
Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books.
2015
Land/Slide: Possible Futures (exhibition catalogue)
“Singing Our Bones Home.”
Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books.
2014
The Lake
“A Home for Our Migrations: The Canoe as Indigenous Methodology.”
Edited by Maggie Groat. Toronto: Art Metropole.
2014
Canadian Theatre Review
“Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L’Hirondelle and Kent Monkman.”
Co-author with Kerry Swanson. Vol. 159: 30–37.
2013
Diverse Spaces: Examining Identity, Heritage and Community within Canadian Public Culture
“Charting Stories of Place: An Alternative Cartography Through the
Visual Narrative of Jeff Thomas.”
Edited by Susan Ashley. New York: Cambridge Scholars Press.
2011
American Indian Culture and Research Journal
“(Re)Mapping the Colonized Body: The Creative Interventions of
Rebecca Belmore in the Cityscape.”
Vol. 35, no. 4: 147–166.
2008
Atlantis: A Women Studies Journal
“Transforming & Grappling with Concepts of Activism and Feminism
with Indigenous Women Artists.”
Halifax: Mount Saint Vincent University.
2007
Women and Environments International Journal
“Transformations: Dialogical Community Art – Indigenous Women’s Cultural Politics in Manitoba.”
Crossing Borders: Women, Art and Community Activism (Toronto).
Editorial Projects
Holding Ground:
Disrupting the Public with Nuit Blanche
Upcoming, 2021
Becoming Our Future:
Global Indigenous Curatorial Practice
2020
Public 54:
Indigenous Art: New Media and the Digital
2016
Locating the Little Heartbeats
2019
the future is in the land
2018
INSURGENCE/RESURGENCE
2017
Indian Country: Art, Politics & Resistance
2007
Peer Reviewed Publications
Nagam, Julie. r e a and Jennifer Biddle. “Decolonial Tools: Indigenous New Media” in The Encyclopedia of New Media Art Vol 3, edited by Anna Munster and Vince Dzekian. London: Bloomsbury Press, 2022 (forthcoming)
Nagam, Julie. “The Space Between Us” in Holding Ground: Nuit Blanche and Other Ruptures, edited by Julie Nagam and Janine Marchessault. PUBLIC Press: Toronto, 2021.
Nagam, Julie; Heather Igloliorte and Carla Taunton. “Incubator as Methodology: Public Art Exhibition” in Holding Ground: Nuit Blanche and Other Ruptures, edited by Julie Nagam and Janine Marchessault. PUBLIC Press: Toronto, 2021.
Nagam, Julie. “The Giving Tree: Methodologies of Generosity”. In Indigenous Art Histories: Theories and Methodologies for Canada and the United States. Edited by Heather Igloliorte and Carla Taunton. New York: Routledge press, 2021.
Nagam, Julie. “Disrupting Toronto’s Urban Space through the Creative (In)terventions of Robert Houle.” In Εικόνα Visual Studies Vol 1, Mexico City: SIMO Cultura, 2019. (Print and on-line)
Nagam, Julie and Carla Taunton. “Performing Memory: Embodied Interventions by Indigenous Women Artists.” In Insiders/Outsiders: The Cultural Politics and Ethics of Indigenous Representation and Participation in Canada’s Media Arts. Edited by Dana Claxton and Ezra Winton. Waterloo: Wilfrid Laurier University Press, 2020. (Submitted)
Nagam, Julie. “Traveling Soles: Tracing the Footprints of Our Stolen Sisters.” In Canadian Voices on Performance Studies/Theory. Edited by Laura Levin and Marlis Schweitzer. Montreal: McGill-Queens Press, 2017. (Print)
Nagam, Julie. “Deciphering the Digital and Binary Codes of Sovereignty/Self-Determination and Recognition/Emancipation.” PUBLIC Art, Culture, Ideas 54: Indigenous Art. Edited by Heather Igloliorte, Julie Nagam, Carla Taunton (Winter 2016). (Print)
Nagam, Julie, Heather Igloliorte, and Carla Taunton. “Transmissions: The Future Possibilities of Indigenous Digital and New Media Art.” PUBLIC Art, Culture, Ideas 54: Indigenous Art. Edited by Heather Igloliorte, Julie Nagam, Carla Taunton (Winter 2016). (Print)
Nagam, Julie. “Mapping Stories of Place: An Alternative Cartography Through the Visual Narrative of Jeff Thomas.” Diverse Spaces: Examining Identity, Heritage and Community within Canadian Public Culture. Edited by Susan Ashley. New York: Cambridge Scholars Press, 2013. (Print)
Nagam, Julie. “(Re)Mapping the Colonized Body: The Creative Interventions of Rebecca Belmore in the Cityscape.” American Indian Culture and Research Journal 35, no. 4 (2011): 147–166. (Print)
Nagam, Julie. “Transforming & Grappling with Concepts of Activism and Feminism with Indigenous Women Artists.” Atlantis: A Women Studies Journal (Halifax: Mount Saint Vincent University, 2008). (Print)
Nagam, Julie. “Transformations: Dialogical Community Art – Indigenous Women’s Cultural Politics in Manitoba.” Women and Environments International Journal Crossing Borders: Women, Art and Community Activism (Toronto, 2007). (Print)
Invited Publications
Nagam, Julie. “Marking Space: Indigenous Coded Knowledge.” In NGV Triennial 2020. Melbourne: National Gallery of Victoria, December 2020. Exhibition Catalogue.
Nagam, Julie. “This songbird sores swiftly through each branch with gifts of innovation and transformation”. Why The Caged Birds Sing -- Immersive Engagements. Prince Albert: Common Weal Community Arts and the Mann Art Gallery, 2020. Exhibition Catalogue.
Nagam, Julie and Heather Igloliorte. “"Biindigin Biwaasaeyaah and Qaumajuq: Conversations and Collaborations Towards a New Winnipeg Art Gallery." In The Inuit Art Centre. Winnipeg: Winnipeg Art Gallery, 2020.
Nagam, Julie. Embodied Practices and Acts of Exchange. O le ūa na fua mai Manu‘a Sydney: University of New South Wales Gallery Press, 2020.
Nagam, Julie. Jarita Greyeyes, Heather Igloliorte and Jaimie Isaac. “Indigenous collaborations through the gallery as a site for self-determination and social change” Becoming Our Future: Global Indigenous Curatorial Practice. Edited
Nagam, Julie, Carly Lane and Megan Tamati-Quennell. Winnipeg: ARP Press, 2020.
Nagam, Julie. “Lost in the Light, Sound and Feminist Reminiscences.” Caroline Monnet Exhibition Catalogue. Banff: Banff Centre of the Arts, 2018.
Nagam, Julie and Jaimie Isaac. “Reverberations, Vibrations, Echoes that Invigorate the Stone Fortress.” INSURGENCE/RESURGENCE. Winnipeg: Winnipeg Art Gallery, 2017.
Nagam, Julie. “Manitoba’s Muddy Waters: Transforming Indigenous Women’s History”. SHARDS. Winnipeg: Manitoba Craft Council, 2017.
Nagam, Julie. “Museum Encounters of Another Kind: Indigenous Methodologies of Collaboration Lead the Charge.” Inuit Art Quarterly 30, no. 2 (Summer 2017).
Nagam, Julie. “Ripping Through a Personal Time-Warp on the Back of a Board.” Winnipeg: Winnipeg Art Gallery, 2016. (Online)
Nagam, Julie. “New Ground Indigenous artists map psychic geographies” Canadian Art: Futures, Winter (2017). (Print)
Nagam, Julie. “be polite…because the settlers might be listening and watching.” In Gordon Bennett: be polite. Edited by Aileen Burns and Johan Lundh. Berlin/Brisbane: Sternberg Press and Institute of Modern Art, 2016. (Print)
Nagam, Julie. “The Occupation of Space: Creatively Transforming Indigenous Living Histories in Urban Spaces.” In Land/Slide: Possible Futures (exhibition catalogue). Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books, 2015. (Print)
Nagam, Julie. “Singing Our Bones Home.” In Land/Slide: Possible Futures (exhibition catalogue). Edited by Janine Marchessault, Chloe Brushwood Rose, Jennifer Foster, and Aleksandra Kaminska. Toronto: PUBLIC Books, 2015. (Print)
Nagam, Julie, and Kerry Swanson. “Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L’Hirondelle and Kent Monkman.” Canadian Theatre Review 159 (2014): 30–37. (Print and Online)
Nagam, Julie. “A Home for Our Migrations: The Canoe as Indigenous Methodology.” In The Lake. Edited by Maggie Groat. Toronto: Art Metropole, March 2014. (Print)
Nagam, Julie. “in Pursuit of Venus.” Toronto: V-Tape, 2013.
Nagam, Julie, and Suzanna Morrissette. Concealed Geographies. Toronto: A-Space Gallery, 2012. (Print)
Nagam, Julie. “Digging up Indigenous History in Toronto’s Cityscape.” Canadian Dimension 43, no. 1 (Jan/Feb 2009): 54. (Print).