our future is in the land:
if we listen to it

Installation with digital video projection, sound, paint. 2017.

This immersive installation is a 360 experience with both sounds and visuals. In this work I am interested in exploring landscapes that appear to be telling the viewer a story visually and through sound. The land has the ability to retain memories of significant value as it has bore witness spanning millennia to the individual events and occurrences that have shaped our surroundings as Indigenous people and later newcomers. Our environment is constantly shifting and examples of unclean drinking water, the rapid melting of the polar ice caps, chemical contaminated lakes. Our land is rife with examples of the finite nature of water and the catastrophe we are facing and these issues affect our society as a whole and in particular Indigenous communities that are greatly influenced by our changing climate and polluted water tables. I am interested in this complex relationship with our past and how it will affect our future. The fifteen-minute sound piece contains ambient and nature sounds, which creates an immersive and circular affect. The images of the birch trees are hand drawn at large scale and digitally transferred into an image that is then printed onto projection fabric that is stretched onto a wood frame and hung like a large painting. This aspen parkland vegetation invokes a forest inside the space by each trunk of the tree being lit up moving in the direction of the sun east to west and sometimes up and down. Hand-drawn images of the prairie wolf (coyote), the blue dragon fly, and whippoorwill bird that appear in different spots or move through the forest that have be animated to create an immersive feeling. At the same time the sound work is playing with the knowledge and sounds of the land attempting to bring the connection from the to the land and the stories told through an outline of the forest. The images projected will bring different stories to life, making animals or objects from the sound pieces that become alive and move throughout the space. The natural environment is featured such as water trickling down, the wind and movement of the trees and leafs, there will be sounds of people walking or crunching through the snow or branches. You will hear the sounds of the animals within the ecosystem of crickets, frogs and birds in the background. The elder and knowledge keeper explain the importance of these animals and the forest that is their home and is the key to our future survival.

Exhibition History: “Transformers” (group) Smithsonian, New York, NY. 2017-2019.

Transformer: Native Art in Light & Sound. Exhibition Brochure. Smithsonian National Museum of the American Indian, George Gustav Heye Centre. November 10, 2017-January 6, 2019.

Excerpt: “This is not a static environment but is inhabited by animated forest creatures that appear periodically within the room. Aiming to draw attention to the destructive and complex relationship we have to the environment, she connects viewers to stories of the land through this experience.”

Review

 News Release

Christopher Green, “Transformer: Native Art in Light and Sound,” The Brooklyn Rail, March 2018.

“10 Native American Artists Challenge Boundaries of Tradition at National Museum of the American Indian’s Heye Center: Contemporary Native Media Art Exhibition Opens November 2017 in New York City,” August 8, 2017.

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